I'm joined on my blog today by award-winning author, Anna Lee Huber. I had the pleasure of meeting this talented writer, last year at Bouchercon, during a signing for new authors. On Saturday September 14, Anna and I will be doing a joint signing at Centuries and Sleuths in Forest Park, IL at 11:00. Hope to see you there!********************************************************************************** Love the title of Anna's 2nd book!
Scotland, 1830. Lady Kiera Darby is no stranger to intrigue-in fact, it seems to follow wherever she goes. After her foray into murder investigation, Kiera must journey to Edinburgh with her family so that her pregnant sister can be close to proper medical care. the talented Anna Lee Huber
But the city is full of many things Kiera isn't quite ready to face: the society ladies keen on judging her, her fellow investigator-and romantic entanglement-Sebastian Gage, and ultimately, another deadly mystery.
Kiera's old friend Michael Dalmay is about to be married, but the arrival of his older brother-and Kiera's childhood art tutor-William, has thrown everything into chaos. For ten years Will has been missing, committed to an insane asylum by his own father. Kiera is sympathetic to her mentor's plight, especially when rumors swirl about a local girl gone missing. Now Kiera must once again employ her knowledge of the macabre and join forces with Gage in order to prove the innocence of a beloved family friend-and save the marriage of another...
Thanks for joining us today! Mortal Arts, the second in your series featuring Lady Kiera Darby, is set in Scotland in 1830. What made you choose this particular place and time? Anna's award-winning first book
When I decided to write a historical mystery series with a heroine who has some knowledge of anatomy, I knew 1830 would be the perfect time period. It’s just after the trial of Burke and Hare, two body snatchers-turned-murderers, which plays into the public’s fear of Kiera once news of her involvement with her late husband’s dissections comes to light, and it’s just a few years before the Anatomy Act of 1832. Not to mention all of the other reforms being made with the Catholic Act of 1829, the Reform Act of 1832, the beginnings of the building of railroads, the ramping up of industrialization. It’s a very interesting period. Lots of conflict.
Could you also tell us a little about what inspired you?
I have difficulty pinpointing exactly what first inspired me to write the Lady Darby novels. I was very deliberate in choosing the genre, and I crafted Kiera’s backstory to give her the investigative skills I wanted her to have, and the rest of her history was created from the consequences of that. The plot of Book 1, The Anatomist’s Wife, even grew from that. I chose to set it in the Scottish Highlands because I needed an isolated location. I tell people that Kiera feels like she’s always been there, in the back of my mind, and I think it’s true. From the very first, even before I knew who she was, I could hear her voice very clearly in my writing. So perhaps that’s why I have trouble deciding on the inspiration. It happened when I wasn’t paying attention.
Lady Darby has been described as “an unusual and romantic heroine.” What makes her so unusual? Is she someone you would want to be friends with?
First of all, she’s a gifted portrait artist, determined to pursue her art—something not very common for a woman in her time. She has the ability to lose herself in her art, and to see to the heart of the person she is painting, which often unnerves people, even as it makes her portraits special. Even more startling, she was forced to assist her late husband, who was a famous anatomist and surgeon to royalty, with his dissections, sketching them because he did not wish to split the credit for his anatomy textbook with an illustrator.
So she has knowledge of anatomy that she’s unwillingly collected. When the scandal broke over her involvement with her husband’s work, society and the general public vilified her, concocting all sorts of gruesome rumors about her. Her standoffish demeanor and quiet reserve do not help matters. She is not comfortable in society or large gatherings, but she is fiercely loyal to those she cares about. She is intelligent, insightful, and witty. I would definitely want her for my friend.
Tell us about Sebastian Gage, Lady Darby’s romantic interest. Can you give us a hint as to which actor you would cast to portray him in a film version of the novel?
Sebastian Gage is a gentleman inquiry agent who works with his father to help the upper class with their sticky situations. He is charming and extremely attractive, and a bit of a golden boy who is much in demand at society’s gatherings. He also has a reputation as being a bit of a rakehell, but Kiera soon begins to doubt that persona. His true self is somewhat a mystery and he does not share himself easily, which frustrates Kiera to no end. If I got to cast Gage, I would choose someone like Rupert Penry-Jones. He was fabulous as Captain Wentworth in the BBC version of Jane Austen’s Persuasion. (Hmmm...me likes!)
What was your favorite part of writing Mortal Arts?
My favorite part of writing Mortal Arts was getting to spend more time with the characters I’d created in The Anatomist’s Wife and take them further along on their journey. I love it when they surprise me.
My least favorite part was struggling with the doubts and crisis of confidence I had in myself. I had quite a lot of trouble with “imposter syndrome.” There’s this fear, irrational as it may be, that you fooled everyone the first time around. That you truly can’t write. And now you’ll be found out. I constantly had to shore up my belief in myself as a writer.
How did writing Mortal Arts compare to writing your debut novel, The Anatomist’s Wife? What was similar about the process? Different?
Writing Mortal Arts was my first attempt at writing a sequel, and it was also my first time writing to a publisher’s deadline, both of which added pressure. In one sense it was harder, feeling all of that added pressure, fearing I wouldn’t be able to write another good book. On the other hand, it was also easier. The book was already sold, so all of those worries I felt that I would never be published were no longer there. I’d achieved what I wanted, and that was a huge relief. I had to do more plotting with Mortal Arts. However, I already knew many of the characters, so that was less work.
When did you first know you wanted to be a writer? Do you have any manuscripts buried in a drawer somewhere?
I first started writing in elementary school, and I have a box full of old stories I wrote then. I moved away from it in high school and then college, but returned to it again after graduation. I wrote four unpublished manuscripts before The Anatomist’s Wife sold. Some of those manuscripts may someday see the light of day, after extensive edits. But others will remain buried on my computer, as they should be.
What advice do you have for aspiring writers?
First and foremost, never give up. I’m a testament to the power of perseverance. I always say, the only way you are guaranteed not to succeed is if you give up. Second, write, write, write. It’s absolutely the best way to learn. And then find a critique group or a few trusted people who know what they’re doing to help you make your writing better.
The third Lady Darby novel, A Grave Matter, is scheduled for release in July 2014. I’m finishing that up, and then I want to work on a side project I started a while ago. It’s more of a straight Gothic suspense novel set in Regency England, and I hope to have that polished and ready to go by the end of the year.
If it's anything like the first two, it will be another winner! Congrats on your success!
Anna Lee Huber is the award-winning author of the Lady Darby historical mystery series. Her debut, The Anatomist’s Wife, has won and been nominated for numerous awards, including two 2013 RITA® Awards and a 2013 Daphne du Maurier Award. Her second novel, Mortal Arts, released September 3rd. She was born and raised in a small town in Ohio, and graduated from Lipscomb University in Nashville, TN with a degree in music and a minor in psychology. She currently lives in Indiana, and enjoys reading, singing, traveling and spending time with her family. Visit her at www.annaleehuber.com.
I know I really need to play it cool, but I just can't. The Bouchercon panels were recently announced, and I'm going to be on a panel with not one, but two, of my very favorite authors: Anne Perry and Caroline Todd (half of the Charles Todd writing team). I'm really looking forward to meeting the other authors on the panel too: Susanne Alleyn and Anna Loan-Wilsey, who have written some top-notch historical mysteries. And to top it all off, the session will be moderated by the lovely and talented Holly West, who was kind enough to interview me on her blog a while back. the first Pitt novel I started reading Anne Perry's novels about twelve years ago, right when I first finished my Ph.D. in history. I hadn't been able to read for pleasure for many years--writing a dissertation will do that!--and I knew I missed reading mysteries in particular. Somehow, I stumbled on Anne Perry's Inspector Pitt series, and I was hooked. I think I read her first TWENTY books in about six months. I kid you not. I loved the characters, the mystery, and of course the history, and I couldn't get enough. When I ran out of Anne Perry novels, I turned to--you guessed it--Charles Todd. And then Rhys Bowen, Jacqueline Winspeare, and a whole slew of other authors who write great historical mysteries.
These were the authors who inspired me to write my own historical mysteries. I don't know how many authors are lucky enough to meet their personal literary heroes. Back in May, I did get the opportunity to meet Caroline Todd at Malice Domestic, which was a thrill. But I can honestly say, I never expected to get this opportunity, and I have no doubt it will be a highlight of my writing career!
I’m joined today by Peg Herring, author of the Simon & Elizabeth Historical Mysteries, the Dead Detective Paranormal Mysteries, as well as the Loser Mysteries, our focus for this interview.I met Peg at Malice Domestic a few weeks ago when we did a panel together. When I heard about her protagonist Loser, a homeless woman who solves mysteries and speaks only thirty words a day, I had to learn more.
From the official blurb:
Loser returns to the hills where she was raised in search of peace, but even in lovely West Virginia, trouble manages to find her. One of her fellow foster children returns to the little town of Beulah, and the secrets she carries with her will lead Loser into a tangle of deception.
Nadine hasn’t got much to say about why she’s back in Beulah, and her son Eddie might be just a little too good to be true. Still, Loser’s willing to help them - at least until Nadine pulls a disappearing act.
Each time Loser learns the answer to a question, another one arises. Why did Nadine run from a comfortable life and a successful husband? Is Eddie a good kid or an opportunistic manipulator? What happened in the town of Romulus that was worth killing for? And most important: Can Loser protect the innocent and at the same time preserve her own life, the life she’s only recently begun to want?
Hi Peg! Thanks for joining me today! Can you tell us more about Loser?
PH: Loser is in her mid-twenties and quite dysfunctional. She can’t sleep inside; she counts how many words she speaks per day (under 30 is a must), and she doesn’t interact with people unless she absolutely has to. In the first book, Killing Silence, readers learned how she came to be so damaged. In the second book, Killing Memories, we see her start the long healing process.
What inspired your Loser Mysteries, and Killing Memories in particular?
PH: I spent several months in Richmond when a family member needed my help. She lived in one of the lovely row houses in the Fan, and I loved walking around the area every afternoon, gawping at the mansions, the statues, and the cobblestone alleys. However, there were homeless people, too, and the thought of someone so desperate living so close to such wealth made an impression on me.
How did you go about doing research for your Loser mysteries? I assume it was a little different than how you researched your historical and paranormal series!
PH: Definitely! Historical research (as you well know) means a lot of poring over books and websites to achieve historical accuracy.
I did most of the research for the Loser Mysteries before I knew I’d be writing the series. Wandering through the Fan was restful for me during a stressful period of my life, but I was soaking up details the whole time.
The actual writing means a lot of Internet time, because I live in Michigan, and I can’t just trot off to Richmond to confirm a detail that’s fuzzy in my mind. We’re lucky that so much is available on-line. For example, I located a picture of the DMV to help with Killing Mysteries, and lately I researched the Richmond police force for the third book, Killing Despair on the department’s website.
You’ve written three different series now (a feat I’m extremely impressed by). Was your experience with Loser similar or different from the other series? Do you switch between series, or are the other series finished?
PH: The idea for a story comes easily: it just floats into my head. I usually begin with a character, and the story builds naturally around him or her.
I focus on one book at a time when I’m writing, but I do switch among the series, because they’re all current. Edits for a book in one series might interrupt the writing of another, because they come when the editor sends them.
It’s a little rough sometimes to get started again when I start the next book. For example, I just finished one of the historicals, in which Simon is a contented tradesman of the Tudor era, a man who’s comfortable with himself. It took some thought to get myself back into Loser’s head and to put myself on the streets of Richmond with a woman who is definitely not comfortable with herself.
What is your favorite part of writing?
PH: My favorite thing is that day when the writing goes well, when everything falls into place and makes sense. I sometimes go away from home to remove the distractions of laundry and lawn care, but if I get in the zone at home, I can be productive there, too.
PH: My least favorite part of this job is keeping up with the technology, mostly because I’m not that interested. Way back when, I learned MySpace. Then I added Facebook and learned to get around there. Then Goodreads and a host of other reader sites. When Twitter came along, I established a presence there, though it’s pretty minimal. People rave about how other sites help their sales, but I’m reluctant. In the first place, I don’t have any more time, and in the second, I don’t enjoy being lost on Pinterest!
What has surprised you most about the writing/publishing process?
PH: I think everyone’s surprised by the same sad facts: You don’t get rich. You don’t get famous. You don’t just write the book and then relax. (Wait, what? I'm not going to be famous? --SC)
What advice would you give to aspiring writers?
PH: I always start with one word: persist! Everything necessary for writing success requires persistence. You have to keep writing to improve your craft. You have to keep asking someone to look at what you’ve done. And you have to keep reminding the world that your work is out there, ready to be enjoyed.
What are you currently working on? What's next?
PH: The third Simon & Elizabeth Mystery, The Lady Flirts with Death, has a June 5th release date from Five Star Publishing. I got my author copies a few days ago, which is always an exciting time.
My other publisher, LL-Publications, has the next in the paranormal Dead Detective series, Dead for the Show, somewhere in the copy-editing phase. No release date yet.
As I said above, I’m at work on the third Loser Mystery, Killing Despair, and I just hit the place where it feels like it’s coming together, so it shouldn’t take more than a dozen years now!
Thanks for inviting me, Susanna. I enjoyed meeting you at Malice, and though I’ve only started A Murder at Rosamund’s Gate, I already like the characters! (Aw, shucks, thanks! -SC)
Thanks again for stopping by! I hope you can come back again to talk about your historical novels, which are terrific!
Date: 1688 Reel position: Wing / 853:61
Fans of Sherlock Holmes may be intrigued to know that the first known female sleuth in England was Anne Kidderminster (nee Holmes), a seventeenth-century widow who tracked down and brought her husband’s murderer to justice thirteen years after the crime. To find out more, check out my guest blog over on Criminal Element
, found under the excerpt of A Murder at Rosamund's Gate.
Early English books tract supplement interim guide ; / E4:2 Date 16--?
the codes in the fire poems...
There's been sort of a funny game of tag going among writers recently, called "The Next Big Thing." So crime fiction writer Holly West was kind enough to tag me, which means it's my turn to answer some writerly questions and tag some other writers.
1) What is the working title of your next book?
After A Murder at Rosamund's Gate releases April 23, 2013 (sigh, yes, I'm still awaiting this great moment), my next book featuring Lucy Campion is From the Charred Remains. That's still my working title at the moment, although I will probably change it when the book gets closer to publication (in 2014).
2) Where did the idea come from?
FTCR continues two weeks after A Murder at Rosamund's Gate leaves off; that is, directly after the Great Fire of London in 1666. So many people, including Lucy, were pressed into service to assist in the great clean-up after the Fire. I thought for sure secrets would have to emerge from charred remains. Of course, plucky Lucy has to be the one to encounter an intriguing puzzle....
3) What genre does your book fall under?
FTCR is a mystery, and within that historical fiction and traditional. I'm not quite sure if readers at Danna's awesome cozy mystery blog would call it a cozy or not, but like Anne Perry's books, it has elements of a cozy.
4) What actors would you choose to play the part of your characters in a movie rendition?
I don't want to give away my thinking completely (since I prefer readers to imagine characters for themselves) but I wouldn't be adverse to the compelling Michael Kitchen (Foyle's War) portraying my kindly magistrate.
5) What is the one-sentence synopsis of your book?
Ack! The dreaded one-sentence synopsis. Torture to the writer! Here goes...
Lucy Campion, a chambermaid turned printer's apprentice, discovers in the aftermath of the Great Fire the body of a murdered man; on his corpse, she finds a poem which she publishes, little realizing that this act would bring her once again into direct confrontation with a murderer.
6) Will your book be self-published or represented by an agency?
I am represented by the amazing David Hale Smith of Inkwell Management. Both books will be released by Minotaur Books (St. Martin's Press).
7) How long did it take you to write the first draft?
Given that A Murder at Rosamund's Gate took me about ten years to write (seriously!) I'm amazed to say that I wrote FTCR in just a few months.
8. What other books would you compare this story to within your genre?
I've been inspired by both Anne Perry and Rhys Bowen.
9) Who or what inspired you to write this book?
I've been inspired to write these stories ever since I was a doctoral student of history. My husband and kids inspire me every day to keep pursuing my dream...
10) What else about the book might pique the reader's interest?
If you like puzzles and codes, this one is for you...
On Dec. 19, please be sure to check out these awesome writer's blogs...
Anna Lee Huber, The Anatomist's Wife
Helen Smith, Alison Wonderland
At last! Bouchercon 2012!!!Tomorrow I'm heading off to the world mystery convention, where readers, authors, librarians, agents, and publishers get together and talk mysteries and crime fiction. A year ago, I hadn't even heard of this amazing convention. More over, when I had arrived as a wide-eyed new author, I quickly discovered I wasn't even pronouncing the name properly. Named for famed mystery critic Anthony Boucher, apparently the conference is pronounced Bough- cher-con, not Bowchercon, and certainly not Boochercon like I thought. Or maybe it's the other way around. Oh well. I'll find out tomorrow.Since A Murder at Rosamund's Gate is not out yet (Don't forget, April 23, 2013!), I won't be doing any book signings or anything like that. Given that I haven't worked out a fun way to sign my books yet (6 1/2 months to figure that out!), that's probably a good thing. However, this year, I do have a teeny space in the program. I will be part of a "New Authors Coffee" on Friday morning-- I get to stand up for two minutes, with a slew of other new mystery authors, and share something about my book. What exactly I'm going to say, I have no clue (which, you know, seems to be a bad thing to admit to other mystery writers. :-) )
Two minutes. A commercial break. An amusement park ride. A descent in an elevator. A walk down an aisle. Not a lot of time, some might think. Certainly, that's true. I've asked myself, how can I capture ten years of work, three hundred some pages, an entire cast of characters, plot and subplots etc in just 2 minutes? It's daunting, overwhelming...and wonderful. A huge, strange moment. My first public moment as an "author." (Here's hoping I don't blurt out nonsense! Or babble on about the concept of two minutes! Or muse about my pronunciation issues. Most importantly, let's hope I focus on my book!)
Two minutes. Everything changes!
I've been joined here today (virtually!) by a long-time reader of mysteries, Danna, who blogs at the wonderful Cozy Mystery List Blog.
I've been following Danna's blog for a while. As a reader it's an invaluable place to discover new-to-me mysteries. As a writer, I've gleaned some great insights from her readers about what they think works well and what doesn't in a mystery. So Danna has been gracious enough to share some of her thoughts here.
Tell us a little about yourself--have you always been a big reader?
I grew up in a military family. The longest time I lived in one location (four years) was when my father was stationed in Spain. Looking back, I guess I could say that the one "constant" (besides my family, of course!) were my books. They could travel with me and keep me company during the time it took to make new friends. I have my master's degree in education and have taught school in both middle and high schools. I thought for sure I would continue teaching school in Colorado, but I married a military man which meant going back to the nomadic life of my childhood.
When did you start reading mysteries?
I began reading mysteries when I started reading my sister's "hand-me-down" Nancy Drew and Hardy Boys mystery books. From there, I graduated to Edgar Allan Poe, Sir Arthur Conan Doyle, and "Victoria Holt-type" mystery books. (My grandmother's house was full of books, and her local library was a place she and I visited many times.)
Is this your favorite genre?
Obviously, with a site that has "Cozy Mystery" in its name, cozy mysteries are my favorite genre. However, I read police procedurals, true crime, and when I have time, non mystery themed books. (Non mystery author E. F. Benson is my all-time favorite author.) My husband's taste in books is much wider than mine, so he occasionally finds something he thinks I absolutely have got to read. ("The Hiding Place" by Corrie ten Boom is one of his recent "finds" - and I can't say enough good things about that book.)
Why did you begin to blog about mysteries?
Years ago I belonged to several online mystery reading groups. I made two very good mystery-reading friends in two of those groups. When I found that I needed a system for cataloging the books I read (buying the same books twice), I started making a list of all the mystery authors I read and liked and included authors who I didn't like - so I wouldn't end up buying their books ever again.
When my friends found out about my systemized lists of authors and books, one of them asked if I would share it. I then began adding their favorite (and least favorite) authors to my list. From there, I started my site - with a lot of computer/technical help from my husband. I had been frustrated trying to expand my list of cozy mystery authors. At the time (2006) there weren't any internet sites that were devoted to cozy mysteries (at least not that I knew of).
And then an unexpected thing happened: I started getting e-mail from people all over the world, asking for help in identifying authors, or for suggestions about what to read, etc. My husband saw that I spent quite a bit of time answering these letters, and suggested that I start a blog. He finally convinced me, and the response to my blog was an even bigger surprise to me!
After Newgate burned down, then what?
When I wrote the first draft of From the Charred Remains, I focused mainly on getting the story worked out--finding the heart and shape of my tale.
I didn't stress too much over language, description, and dialogue on the first go-round--I figured I could elevate my prose later. As for historical details, I frequently had to make my best educated guess about what might have been true in those first weeks after the Great Fire of London (September 1666)...and move on.
Now as I work through draft two, I'm doing the hard--I mean fun--part: Fixing and double-checking all the historical details.
I've already mentioned two of my recent questions (How plausible was the stated death toll of the Great Fire of London?) and (How far could a horse travel in the seventeenth-century anyway?), but here are a few other things that I've pondered:
Since my heroine is now a printer's apprentice (yes, unusually so!) I had to figure out a lot of specifics about the early booksellers and their trade. So I wondered, for example, how did a seventeenth-century printing press operate? As it turns out, the press operated in a remarkably gendered way--parts of the machine were referred to as "female blocks," which had to connect with "male blocks." The interconnected parts were supposed to work together harmoniously, but on occasion--usually when the female "leaked"--the whole press might stop working. (Naturally, the female part was to blame!)
And another question: Since three of the largest prisons--Newgate, Fleet, and Bridewell--were all destroyed in the Great Fire, where were criminals held? I had to make my best guess on this one. There were other prisons of course: Gatehouse prison in Westminster, the White Lion prison, the Tower, and my favorite, the Clink in Southwark. But I decided to invent my own makeshift jail--after all, in those chaotic days after the Great Fire, order had to be regained quickly, and it stands to reason that royal and civil authorities might have wanted lawless behavior contained as quickly as possible. I couldn't find evidence to the contrary, so an old chandler's shop became a temporary jail.
And were criminals still being hanged at the Tyburn tree immediately after the Fire? Executions resumed quickly after the Fire, conducted as they had been since the twelfth century, in the village of Tyburn (now Marble Arch in London). Prisoners were progressed by cart, from jail to the "hanging" tree, parading through the streets--often praying, preaching, repenting or depending on their personality, even swapping jokes with the spectators. Usually they stopped at a tavern for one last drink along the way, before being forced to do the "Tyburn jig," as Londoners cheerfully called execution by hanging.
Of course, I also looked up countless other details...Who used acrostics and anagrams to convey messages? What secrets might be conveyed in a family emblem? And most significantly of all: What happened when the first pineapple arrived in London?
Ah-h-h, but I can't tell you about these answers....I'd be giving too much away about Book 2!!! I don't really have a question for you to answer, so I'll just end with a maniacal laugh...
MWAH HA HA HA HA....!!!