What's going on here?
You'll have to check out my post on A Bloody Good Read: Where Writers and Readers of Mysteries Talk Shop to find out!!!
the codes in the fire poems...
There's been sort of a funny game of tag going among writers recently, called "The Next Big Thing." So crime fiction writer Holly West was kind enough to tag me, which means it's my turn to answer some writerly questions and tag some other writers.
1) What is the working title of your next book?
After A Murder at Rosamund's Gate releases April 23, 2013 (sigh, yes, I'm still awaiting this great moment), my next book featuring Lucy Campion is From the Charred Remains. That's still my working title at the moment, although I will probably change it when the book gets closer to publication (in 2014).
2) Where did the idea come from?
FTCR continues two weeks after A Murder at Rosamund's Gate leaves off; that is, directly after the Great Fire of London in 1666. So many people, including Lucy, were pressed into service to assist in the great clean-up after the Fire. I thought for sure secrets would have to emerge from charred remains. Of course, plucky Lucy has to be the one to encounter an intriguing puzzle....
3) What genre does your book fall under?
FTCR is a mystery, and within that historical fiction and traditional. I'm not quite sure if readers at Danna's awesome cozy mystery blog would call it a cozy or not, but like Anne Perry's books, it has elements of a cozy.
4) What actors would you choose to play the part of your characters in a movie rendition?
I don't want to give away my thinking completely (since I prefer readers to imagine characters for themselves) but I wouldn't be adverse to the compelling Michael Kitchen (Foyle's War) portraying my kindly magistrate.
5) What is the one-sentence synopsis of your book?
Ack! The dreaded one-sentence synopsis. Torture to the writer! Here goes...
Lucy Campion, a chambermaid turned printer's apprentice, discovers in the aftermath of the Great Fire the body of a murdered man; on his corpse, she finds a poem which she publishes, little realizing that this act would bring her once again into direct confrontation with a murderer.
6) Will your book be self-published or represented by an agency?
I am represented by the amazing David Hale Smith of Inkwell Management. Both books will be released by Minotaur Books (St. Martin's Press).
7) How long did it take you to write the first draft?
Given that A Murder at Rosamund's Gate took me about ten years to write (seriously!) I'm amazed to say that I wrote FTCR in just a few months.
8. What other books would you compare this story to within your genre?
I've been inspired by both Anne Perry and Rhys Bowen.
9) Who or what inspired you to write this book?
I've been inspired to write these stories ever since I was a doctoral student of history. My husband and kids inspire me every day to keep pursuing my dream...
10) What else about the book might pique the reader's interest?
If you like puzzles and codes, this one is for you...
Then check out my most recent post on A Bloody Good Read: Where Writers and Readers of Historical Thrillers Talk Shop
At last! Bouchercon 2012!!!
Tomorrow I'm heading off to the world mystery convention, where readers, authors, librarians, agents, and publishers get together and talk mysteries and crime fiction.
A year ago, I hadn't even heard of this amazing convention. More over, when I had arrived as a wide-eyed new author, I quickly discovered I wasn't even pronouncing the name properly. Named for famed mystery critic Anthony Boucher, apparently the conference is pronounced Bough- cher-con, not Bowchercon, and certainly not Boochercon like I thought. Or maybe it's the other way around. Oh well. I'll find out tomorrow.
Since A Murder at Rosamund's Gate is not out yet (Don't forget, April 23, 2013!), I won't be doing any book signings or anything like that. Given that I haven't worked out a fun way to sign my books yet (6 1/2 months to figure that out!), that's probably a good thing.
However, this year, I do have a teeny space in the program. I will be part of a "New Authors Coffee" on Friday morning-- I get to stand up for two minutes, with a slew of other new mystery authors, and share something about my book. What exactly I'm going to say, I have no clue (which, you know, seems to be a bad thing to admit to other mystery writers. :-) )
Two minutes. A commercial break. An amusement park ride. A descent in an elevator. A walk down an aisle. Not a lot of time, some might think.
Certainly, that's true. I've asked myself, how can I capture ten years of work, three hundred some pages, an entire cast of characters, plot and subplots etc in just 2 minutes?
It's daunting, overwhelming...and wonderful. A huge, strange moment. My first public moment as an "author." (Here's hoping I don't blurt out nonsense! Or babble on about the concept of two minutes! Or muse about my pronunciation issues. Most importantly, let's hope I focus on my book!)
Two minutes. Everything changes!
I've been joined here today (virtually!) by a long-time reader of mysteries, Danna, who blogs at the wonderful Cozy Mystery List Blog.
I've been following Danna's blog for a while. As a reader it's an invaluable place to discover new-to-me mysteries. As a writer, I've gleaned some great insights from her readers about what they think works well and what doesn't in a mystery. So Danna has been gracious enough to share some of her thoughts here.
Tell us a little about yourself--have you always been a big reader?
I grew up in a military family. The longest time I lived in one location (four years) was when my father was stationed in Spain. Looking back, I guess I could say that the one "constant" (besides my family, of course!) were my books. They could travel with me and keep me company during the time it took to make new friends. I have my master's degree in education and have taught school in both middle and high schools. I thought for sure I would continue teaching school in Colorado, but I married a military man which meant going back to the nomadic life of my childhood.
When did you start reading mysteries?
I began reading mysteries when I started reading my sister's "hand-me-down" Nancy Drew and Hardy Boys mystery books. From there, I graduated to Edgar Allan Poe, Sir Arthur Conan Doyle, and "Victoria Holt-type" mystery books. (My grandmother's house was full of books, and her local library was a place she and I visited many times.)
Is this your favorite genre?
Obviously, with a site that has "Cozy Mystery" in its name, cozy mysteries are my favorite genre. However, I read police procedurals, true crime, and when I have time, non mystery themed books. (Non mystery author E. F. Benson is my all-time favorite author.) My husband's taste in books is much wider than mine, so he occasionally finds something he thinks I absolutely have got to read. ("The Hiding Place" by Corrie ten Boom is one of his recent "finds" - and I can't say enough good things about that book.)
Why did you begin to blog about mysteries?
Years ago I belonged to several online mystery reading groups. I made two very good mystery-reading friends in two of those groups. When I found that I needed a system for cataloging the books I read (buying the same books twice), I started making a list of all the mystery authors I read and liked and included authors who I didn't like - so I wouldn't end up buying their books ever again.
When my friends found out about my systemized lists of authors and books, one of them asked if I would share it. I then began adding their favorite (and least favorite) authors to my list. From there, I started my site - with a lot of computer/technical help from my husband. I had been frustrated trying to expand my list of cozy mystery authors. At the time (2006) there weren't any internet sites that were devoted to cozy mysteries (at least not that I knew of).
And then an unexpected thing happened: I started getting e-mail from people all over the world, asking for help in identifying authors, or for suggestions about what to read, etc. My husband saw that I spent quite a bit of time answering these letters, and suggested that I start a blog. He finally convinced me, and the response to my blog was an even bigger surprise to me!
After Newgate burned down, then what?
When I wrote the first draft of From the Charred Remains, I focused mainly on getting the story worked out--finding the heart and shape of my tale.
I didn't stress too much over language, description, and dialogue on the first go-round--I figured I could elevate my prose later. As for historical details, I frequently had to make my best educated guess about what might have been true in those first weeks after the Great Fire of London (September 1666)...and move on.
Now as I work through draft two, I'm doing the hard--I mean fun--part: Fixing and double-checking all the historical details.
I've already mentioned two of my recent questions (How plausible was the stated death toll of the Great Fire of London?) and (How far could a horse travel in the seventeenth-century anyway?), but here are a few other things that I've pondered:
Since my heroine is now a printer's apprentice (yes, unusually so!) I had to figure out a lot of specifics about the early booksellers and their trade. So I wondered, for example, how did a seventeenth-century printing press operate? As it turns out, the press operated in a remarkably gendered way--parts of the machine were referred to as "female blocks," which had to connect with "male blocks." The interconnected parts were supposed to work together harmoniously, but on occasion--usually when the female "leaked"--the whole press might stop working. (Naturally, the female part was to blame!)
And another question: Since three of the largest prisons--Newgate, Fleet, and Bridewell--were all destroyed in the Great Fire, where were criminals held? I had to make my best guess on this one. There were other prisons of course: Gatehouse prison in Westminster, the White Lion prison, the Tower, and my favorite, the Clink in Southwark. But I decided to invent my own makeshift jail--after all, in those chaotic days after the Great Fire, order had to be regained quickly, and it stands to reason that royal and civil authorities might have wanted lawless behavior contained as quickly as possible. I couldn't find evidence to the contrary, so an old chandler's shop became a temporary jail.
And were criminals still being hanged at the Tyburn tree immediately after the Fire? Executions resumed quickly after the Fire, conducted as they had been since the twelfth century, in the village of Tyburn (now Marble Arch in London). Prisoners were progressed by cart, from jail to the "hanging" tree, parading through the streets--often praying, preaching, repenting or depending on their personality, even swapping jokes with the spectators. Usually they stopped at a tavern for one last drink along the way, before being forced to do the "Tyburn jig," as Londoners cheerfully called execution by hanging.
Of course, I also looked up countless other details...Who used acrostics and anagrams to convey messages? What secrets might be conveyed in a family emblem? And most significantly of all: What happened when the first pineapple arrived in London?
Ah-h-h, but I can't tell you about these answers....I'd be giving too much away about Book 2!!! I don't really have a question for you to answer, so I'll just end with a maniacal laugh...
MWAH HA HA HA HA....!!!
The backdrop of my second novel, From the Charred Remains, begins where The Murder at Rosamund's Gate left off...at one of the most traumatic moments in London's history: The Great Fire of 1666.
Yet as I researched the extent of the devastation, looking at a wide range of sources, I became increasingly perplexed by how few people were alleged to have perished during the conflagration. Over and over, I'd see repeated the same impossibly low numbers--nine, ten, a dozen people.
How could that be?
You see, the Fire--which started in early September 1666 when a baker failed to bank his coals properly--raged out of control for several days before the winds mercifully shifted. In that time, the Fire destroyed thousands and thousands of homes and businesses, and a hundred thousand people were left homeless.
Just imagine--as I've tried to do--the mayhem, the panic, the crush of humanity. Could the elderly, the infirm, the drunk have fled so easily? And what about the inmates of Newgate prison? It's unlikely the wardens of that dreadful place would have thought through a systematic evacuation plan.
And yet, historians have long pointed out (very reasonably, I might add) that the death toll could not have been very high. Someone would have noticed. Surely, someone would have written about death on a massive scale.
But, such written accounts don't exist.
Contemporaries (such as Pepys or other chroniclers from this time period) only noted a handful of deaths. Two elderly women found huddled by St. Paul's. A young serving girl afraid to jump from the third story of a building in flames. Such tales are scattered about, but they are notable in their rarity. More significantly, the Bills of Mortality, which carefully documented all deaths from the plague and other misfortunes in the 1660s, did not describe any great numbers after the Fire.
Cover up? hmmmm....
As it turns out, I'm not the only one who has pondered this very question. Neil Hanson, author of The Dreadful Judgment, has made a compelling argument that thousands may have perished in this blaze--in direct opposition to the commonly accepted view.
Hanson raised two important questions: Why were these deaths not recorded, and what happened to their bodies? (You can read his fascinating address to the Museum of London here).
Sadly, Hanson's conclusion is deeply troubling but may well be accurate--the bodies of the missing had simply disappeared into the flame. Everyone had missing neighbors who never returned....numbering in the thousands.
So, this is one of those odd cases where the silence of evidence could be evidence in itself.
But what do you think?
Do you prefer a puzzle at the outset...
What kind of mystery do you prefer--the kind that presents a puzzle from the outset, or one that reveals the puzzle during the investigation? Let me know!
Check out my post on this topic over at A Bloody Good Read!
the murder may have happened here
I had the opportunity the other day to contribute to a great blog, A Bloody Good Read: Where writers and readers of historical thrillers talk shop. There, I talked a little about a long ago murder and how a writer can fill in where historians fear to tread. Inspiration can be found in many places, I guess!
If you have a few minutes, check out the great entries by my colleagues: Nancy Bilyeau, author of The Crown (Touchstone, 2012) (she's also worked for all kinds of publications like Rolling Stone, In Style magazine, and Entertainment Weekly)...
...and Sam Thomas, an early modern historian specializing in midwifery. Sam's first novel, A Midwife's Tale (Minotaur/St. Martin's) is due out in early 2013.
The other day, I experienced one of my odder moments as a writer. When I came home from work, I found a much anticipated package containing the page proofs for A Murder at Rosamund's Gate (that's not the odd part, that's the extremely thrilling part).
the inside cover page
At this point, I can only make very minor edits. A word here and there, typos, minor grammatical changes--that's about it. The book is nearly ready--all 340 pages of it. A heady and strange mixture of emotions regularly accompany this realization.
But the odd thing? Later that same evening, I happened to be poking through some old files and I came across the very first handwritten draft of this novel, which I began in 2003. All scratched up, full of non sequiturs and dangling thoughts, somehow this mess became an actual novel. Holding that handwritten draft alongside my proofs was definitely a surreal moment, and it was hard not to compare the original version with the final.
To be sure, some things were different. My heroine was originally named Abigail, although somewhere along the way, she became Lucy. Another main character saw his name changed several times too, from Thornton to William to Adam. I also had a prologue then (which I've since eliminated, as I've mentioned before), and even more interestingly--I had an entirely different adversary than the one who crept into the pages later. In fact, the main crime was different, although I had written emphatic notes to myself--'Must take place during seventeenth-century plague and Great Fire of London.' So the setting never changed, nor did my original inspiration.
The book took me ten years to write. Honestly, I never thought when I began this story that I would even finish it, let alone that it would be out in the world. But the proof, I guess, is in the proofs.
Historian. Mystery writer. Researcher. Teacher. Occasional blogger.