Recently, I have had a few questions from readers about one of the strange objects that Lucy had discovered on a corpse at the outset of From the Charred Remains.
The item was a signet ring, one of several items found in a pouch on the body of a murdered man (check out what Lucy is holding on the cover). This ring, along with a hodgpodge of other eclectic items, will help identify the victim, as well as his killer.
The signet ring I describe in the book was unusual because it swiveled to allow the wearer to display one of two different images.
I was immediately intrigued by the concept.
I had come across this interesting ring style when I was prowling about on the British Museum's website. The ring featured here is from the early 17th century, and was made in either France or Germany.
When you really think about it, what would be the reason to have a ring with two faces? Boredom? Perhaps. Cost? Unlikely, since a swivel ring might be very expensive to create. Or perhaps, there is something about who you are that you wish at times to keep private, and other times, make public. It is not surprising that certain organizations, like the Freemasons, have used such rings since the early modern era.
This particular ring was probably more ornamental than practical, but I liked the idea that there could be a secret hidden beneath its surface.
In this image, you can see how the ring swivels, from an onyx intaglio of the Greek god Apollo to a sardonyx intaglio of a male and female figure (the website suggests it is likely Bacchus and Ariadne).
This ring is a little more elaborate than I was envisioning though. Not, perhaps, as simple as these more simple masonic rings (a style also found in the 17th century), but somewhere in between.
Pretty cool, hey? Makes you wonder why the wearer might commission a ring like this...doesn't it?
6/20/2014 11:15:04 am
6/8/2019 04:37:57 am
Nice article! I really like this article and found very interesting. Thanks for sharing.
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Historian. Mystery writer. Researcher. Teacher. Occasional blogger.