Reading fiction is all about a suspension of disbelief, and a large percentage of avid readers also love pets. About 65 percent of US Households have a pet—that’s a lot of potential book buyers!
The trick, of course, is making your “talking cat” or “thinking dog” so natural that readers accept this ability as fact within your story world. The really avid pet parents already have opinions and insight into how cats and dogs act, and aren’t forgiving of missed paw-steps.
PETS AS PROPS. Writers often give the hero a pet to make them more likable, or they’ll have the villain kill an animal to illustrate an unsympathetic character. Most pet-loving readers object to critter-killing simply for shock value. When pets appear in the first chapter and last, with no mention in between, pet lovers recognize this as artificial manipulation. When your hero’s call to action leaves the cat/dog alone at home for weeks, readers wonder why the house isn’t full of crappiocca and hissed-off pets when s/he returns. Please, for the love of doG (and cat), create a character’s relationship with the pet, which builds character depth and reader engagement.
TALKING PETS. How your animal characters interact with the humans depends a great deal on the genre and what readers expect. Fantasy’s shape-shifters certainly may have all kinds of critters thinking and speaking the same as the human characters, and many children’s books use anthropomorphized characters to advantage. Based on your story, genre, and reader expectations, decide whether your animals will be “humans in fur coats” or true to their species. Mysteries today are full of talking dogs and cats, and the successful series make clear that these critters have both species-appropriate “extra” skills and limitations. In my September Day series, service dog Shadow has his own viewpoint chapters. He never says a word, yet speaks volumes.
GOALS & REWARDS. When creating an animal viewpoint character, go beyond the gift of speech or tail semaphore. Just as your hero and villain require opposing story goals and motivations to fuel the plot, give your pet character reasons to care. Shadow’s story goal and motivation is quite different than his human partner September, and he’s able to offer an enriched reader experience through his enhanced senses.
Because of my background as a certified animal behavior consultant, I wanted Shadow to act and react, communicate and feel emotion in a true reflection of the canine species I know (with a bit of fiction speculation). For me, that’s not just a plot device but shows respect for these unique creatures. Shadow has his own character arc in each book. He is not the same clueless nine-month-old puppy that began the series, and has grown and developed alongside his human partner September with each new story.
One caution: when writing a series, be aware of the timeline, because pets age much more quickly than human characters. I don’t what Shadow to “age out” of the series too quickly, so the first book LOST AND FOUND happens at Thanksgiving, the second one HIDE AND SEEK follows at Christmas, and now SHOW AND TELL takes place right after Valentine’s Day.
Today, pets are considered to be members of the family, in some cases surrogate children. People read for entertainment, for the spills and thrills and tug-at-the-heart rooting for the underdog human—or pet. So adding a furry character to a book, when done well, enhances the reader experiences and gives everyone an extra emotional tug. September and Shadow have just begun their life together, and have many more adventures to come!
Amy can be found on Facebook http://www.facebook.com/amyshojai.cabc, on Twitter @amyshojai, and on Pinterest @amyshojai. Check out her website at http://www.shojai.com.