Writing Young Adult Crime Fiction... some thoughts from novelist Bridgette R. Alexander
I am delighted to be joined on my blog today by Bridgette R Alexander, author of SOUTHERN GOTHIC: A Celine Caldwell Mystery (to be released March 15, 2016).
I had the pleasure of reading Bridgette's debut novel a few weeks ago, and I was struck by the authenticity of her main character's voice. I thought that her amateur sleuth, Celine Caldwell, came across as a "real" teenager--which is actually not an easy feat. So I asked Bridgette to talk about her experience with writing YA fiction.
SC: Bridgette, why did you decide to write YA?
BA: I grew up loving ABC’s after school specials. What I liked about them was that each story was told from the perspective of a teenage girl, usually, and it gave me a sense that I wasn’t alone in my day-to-day struggles as an adolescent. By that I mean, adolescence is a tough place to be in and you’re there for a long period of time. You are caught between two worlds, one world of a child – its only two or three years ago you were taken to the junior’s section of a department store and your mother was selecting clothes for you. Your world was pretty much being established by the adults around you. Then, there is this other world of [looming] adulthood. Total and complete agency – by you; at 14 or 16 you can make some decisions for yourself, at least what you’re going to wear and who your friends are; and the biggest of all – eros – your attraction and your identity.
For me, those moments were paramount. So much so, that I like to view being an adult as an old-kid with benefits.
SC: Are there any authors who particularly inspired you?
BA: I was introduced to some of my all-time favorite authors when I was in the 7th grade: Mark Twain; John Steinbeck; James Baldwin; William Faulkner; Tennessee Williams; and Hermann Melville. I loved how those works transformed me into the worlds the authors created and caused me to think about the world I inhabited. Then on my own I found the works of other authors and also fell in love with them: Jackie Collins; Harold Robbins; Judith Krantz; I know, I know…they are not exactly children’s authors, but I so loved their works. Mystery and thriller writers I just adore – Agatha Christie, Steven King Joyce Carol Oates and Sarah Paretsky; and of YA writers I really love the work of Sarah Dessen, I love her stories. She totally captures the voice of a strong, independent teenage girl. There are sooo many writers I love, these are just a few of them.
SC: What do you enjoy most about writing YA?
BA: I like seeing the world fresh again.
SC: What kinds of challenges have you faced in writing YA?
BA: In writing…not so much. At the moment when I could visualize Celine Caldwell and her life, then her all of her friends and their lives, it was like a motion picture – fluid, moving, colorful and rich with characters.
For me it’s been more of a head-game I've had to overcome. The notion of the solitary artist…alone in his or her misery as the only path to creativity is a romantic construct. One that at the on-start of developing and trying to write the Celine Caldwell Mysteries, I thought I was bound to adapt. It was difficult. As a scholar my life was writing among other scholars; sharing my works and dissecting that work with other scholars. As a scholar and thinker I led a fully engaged life. Only in the archives and the library stacks would I actually be in solitude. When I adapted to my writing the engaged-life I was used to, it felt real and true. I am creating characters, developing scenes, structuring the chapters, going back and forth with my editors.
SC: How do you make sure your characters are “authentic”? In terms of voice, dialogue, mannerisms?
BA: At the beginning of writing Celine Caldwell Mystery series, I organized a teen council made up of girls between the ages of 12 and 18. We’d meet and I’d give them a Celine-Scenario and ask them what would they do or if Celine’s actions were authentic for a teenager, and not just as a teen being driven by an adult. It was important for me to remove myself as much as possible from the equation of Celine Caldwell, 16 year old art world sleuth. Now that’s more of the technical work I’ve done, compared to the easy going fun time I make time for in talking and listening to teen voices. I continue to spend a good deal of time with teenagers because I strongly believe from where I stand it easy for me to “slip” back into the voice and mannerism of an adult person.
SC: I know you have a daughter...did you learn anything from her that helped you write your book, or offer insight into the teenager experience?
BA: My daughter is the inspiration behind Celine Caldwell. I created [Celine] when my daughter was a newborn. I’d often imagine her future -- how would she relate to the world; what would she look like once she becomes a teenager. My daughter’s life is very different from my upbringing. Her life looks more like the character Celine Caldwell’s with the big exception, my daughter has a doting mother and father.
SC: What advice if any would you offer someone interested in writing YA?
People or writers hear this a lot…but it stands to be repeated. Write what you know and do it from your soul.
Bridgette R. Alexander is a modern art historian. She received her graduate training in 19th century French art history at the University of Chicago. Alexander worked with some of the world’s greatest museums in New York, Paris, Berlin and Chicago and developed art education programs; curated exhibits; she has taught and published in art history. She’s been featured in a number of publications including, Art + Auction Magazine; the Wall Street Journal; and the Washington Post.
SOUTHERN GOTHIC is her debut novel. Alexander currently lives in Chicago and when not writing, she takes her husband, daughter and friends on midnight tours of the cultural institutions. Visit her website (http://celinecaldwell.com).
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Historian. Mystery writer. Researcher. Teacher. Occasional blogger.